Getting Your Pitch Right
What is a Pitch?
Michael Korda, editor in chief at Simon & Schuster, hit
the nail on the head when he said, “If you can't describe a
book in one or two pithy sentences that would make you or your
mother want to read it, then of course you can't sell it.” -
The Wall Street Journal, June 26, 1984
Components of a Great
Pitch
Create dynamic sound bites sometimes called talking points.
Susan Harrow, of Publicity Secrets, describes these, “… as
the essential messages you want to convey. Describe out loud
the most important ideas, concepts, and points of your book
as they relate to the idea you are pitching. These memory
nuggets consist of anecdotes, facts, statistics, stories, or
something extraordinary, controversial, shocking, funny,
humorous, romantic, poignant, moving, or dramatic.”
Jill Lublin, of Promising Promotions, teaches her clients
how to develop 30-second pitches. Within these short pitches
you must state the issue that's tied to your story and
connect it to your audience. Why would they care? Avoid
useless facts about your book, your background, topics you
speak on, and other boring trivia. Pretend you have 30
seconds to convince your audience to book you on a radio
show.
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How to
Pitch
It is important to practice your pinch until you have it
down pat. Practices it front of friends and other writers.
Practice until it rolls naturally off your tongue.
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"As an editor at
writers' conferences, I've
felt horribly beaten down by
the constant stream of
freelancers pitching me. It
was exhausting, and it turned
me off writers' conferences,
and since I've become a
freelancer, I've been very
sensitive about not making
editors feel like I see them
as dollar signs with legs." -
Jan Coleman |
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"Imagine this: You're in the elevator with one of the
producers of The Oprah Show. What are you going to say as
you're zipping up nine floors to get them interested in you?
That's your elevator pitch. A quick 1-2 sentence sound bite
that will leave them hungry for more. If crafting this sound
bite is challenging for you, consider this: it's not about your
book, it's about what your book can do for your reader. Don't
pitch the book, pitch the benefits because in the end it's all
about the WIIFM (what's in it for me?) factor." - Penny C.
Sansevieri, Author Marketing Experts, Inc. and
From Book to Bestseller: An Insider's Guide to
Publicizing and Marketing Your Book! and
Get Published Today! An Insider's Guide to
Publishing Success.
“I tell people they have to condense their wonderful
stories, scenes and characters into one, or two, sentences.
Editors and agents don't have time to listen to a
twenty-minute, point-by-point, description of their plot. They
need to "hook 'em" right off the bat. Here's the pitch I used
for my first novel, After Anne: 'After Anne is the story of the
friendship between two women... one is having trouble with her
kids, one has breast cancer. It's about the power of friendship
to get you through hard times.” - Roxanne (Roxy) Henke
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Pitching Your
Project
There is skill in knowing how to pitch your book project.
Jan Coleman, an author and popular
conference speaker on the subject of pitching, shares from
her experiences on pitching. She describes a pitch as, "A
verbal query, your project sound bite. If you can't describe
it, you can't sell it." Here are her tips:
What do Editors Look For?
- Fresh, salable ideas.
- Is the author passionate about project?
- Clear in describing it?
- Confident about message?
- Qualified to write it?
Preparing the Pitch
- Know your material. What your book/story will offer the
reader. Know publishing house, their style &
needs.
- Be familiar with magazine's features & format.
Craft your pitch to what they publish & what the
category it fits into.
- Know similar books and why yours is different, if
possible.
Main Concept - What's it all about? What's the felt
need? The universal theme?
- Nonfiction: Must go beyond your personal story.
Narrow the focus. Faith is too broad; acting out faith in a
hostile world, narrower.
- Fiction: What's the genre? Setup, conflict,
resolution. No time for plot points. Intrigue the editor by
the story description.
- Fiction try Hollywood High Concept; Tap into movies,
best sellers. It instantly communicates the concept.
- The Perfect Storm in an RV - a true adventure story in a
fifth wheeler during Florida hurricane.
- Gone with the Wind in World War II - NY heiress sells her
soul to keep Long Island mansion.
- Seabiscuit in the Yukon - three women find redemption as
they train sled dogs for the Iditarod.
- Monk teams with Colombo - two mismatched detectives
thrown together to solve a murder case.
Tone & Pace
- Nonfiction: What does project "feel" like?
Anecdotal with contemporary stories. Informational and
reflective with group study questions. Humorous and
friendly. Practical and hard hitting.
- Fiction: A gripping literary novel with a
complex character, a suspenseful page-turner, a light and
humorous look at a mid-life marriage, romance and mystery
in a high country adventure, tense drama of faith, a tender
but forbidden romance.
Approach - What's Your Angle?
- What's your slant, the hook?
- What makes it stand out from others?
- Do you offer a fresh, unique approach to the
topic?
Who's Your Reader (Target Audience)?
- Narrow your focus. Not too broad, not too specific.
Women (hurting, professional) teens, (troubled) believers,
(mature, seeking deeper meaning in life), men (sports
buffs, boomers, X-ers), moms (young, empty nesters,
stressed), postmoderns
Benefits
- Nonfiction: What will the reader take away?
Challenged in faith, more joyful, better equipped,
encouraged in despair?
- Fiction: What insight or spiritual lesson does
the main character learn? Resolve what issue?
You - the Author
- Qualifications: speaker, teacher, pastor,
ministry director. What's your passion? - “I was inspired
to write the book after …” “I have experience in …” Any big
name endorsers? Save marketing ideas for after the pitch
discussion.
Practice
- Until it's smooth and natural. Get comfortable
“blurbing” with a conference pal first. If possible,
memorize.
- Leave butterflies back in your room. Editors want to
hear what you have to offer.
- Once you pitch, let him ask questions about your
project.
Have an Open Mind
- If project isn't right for the house of your choice,
just smile and move on.
- Accept honest feedback, helpful suggestions for
reworking it. Be willing to learn, grow your craft, find
your unique voice and God inspired message.
- When you get home, send a note expressing my pleasure
in meeting the editor and pitching a few ideas.
- Look ahead to what God will do with your writing
passion.
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Sample
Pitches
Here are a few sample pitches from Jan Coleman. The source of each is
identified. For more, check out book jackets, back cover
copy, and publisher's catalogues for project descriptions to
help form your pitch.
Nonfiction Pitches
After the Locusts uses the
locusts in the Old Testament as a metaphor for the way a woman
feels when loss has ruined her dreams.
(concept/audience) It
may be divorce, loss of a loved one, illness or personal
failure, but this book takes her from the earthly view,
"I have lost these years," to the Heavenly view, "The
years will be restored and better than before.” It will
leave her inspired to trust in God's promise to restore.
(benefits) It's
filled with insights from the Book of Joel and weaves my
own experience with stories of women who've not only
survived the locusts, but went on to thrive in spite of
them. (approach) It
reads like a novel, and its fresh, breezy style will
engage the reader. (tone/pace) I'm a
former journalist, published author and conference
speaker. (Jan Coleman's pitch at CBA New Orleans 2000,
contracted with Broadman & Holman, released
2002.)
Scandalous Grace is for women
who need the grace of God to accept themselves and others.
(audience) By God's
grace we can let go of those areas that intrude on their quiet
thoughts, from an extra 10 pounds to the mistakes of the past.
(benefits) In my light,
conversational style, I sprinkle deep theological truths
throughout the book and connect them with the concerns of the
modern woman. (tone) I approach the
readers as girlfriends with honesty and openness and allow them
to see my own continuing struggles and how God's grace enables
all of us to accept the loose ends of life. (concept/approach) I'm a
published author and speaker. (Julie Barnhill) (Adapted from a
book blurb.)
In my book Becoming a Woman Who Pleases
God, I tackle the difficult question of "What
makes a godly woman?" (concept) In a warm
compassionate style (tone) I challenge women
to re-think their priorities, re-examine the position of the
home, and re-work their definition of what it means to be a
woman that pleases God. Each chapter contains group discussion
notes. (approach) As a Bible
study leader for many years, I've seen how women within the
church are struggling to define their femininity.
(author
credentials) I edit our church newsletter
and have published in several magazines. (Jan made this up)
Fiction Pitches
Like a ship stuck on a sand bar, Lynne Gordon's heart is
still wedged in the past. (setup) When her first
love died in Vietnam, she felt as if pages were torn from the
story of her life. Eventually she married the boy-next door,
but Sam is tired of competing with a shadow. It's now 1995, and
Lynne and Sam's marriage is in trouble. (conflict) After an
unplanned visit to the Vietnam Wall, Lynne is forced to
confront her long-entombed feelings, resolve her secret anger
at God and say goodbye to the way it should have been.
(resolution) My novel, Torn Pages will appeal to women who grew
up when milk came in bottles and doctors made house calls,
those who remember the endless summers of the Beach Boys.
(audience) I'm an author of four
non-fiction books and a busy conference speaker. (From Jan
Coleman's Torn Pages)
Lance Mitchell is on a quest to discover the secrets his
grandmother cannot tell. (setup) The old villa in
Sonoma holds the answers, but it is now owned by a proud young
woman with skeletons her closet she doesn't know exist. As he
works as her chef and gardener and pursues his family quest,
their sparring creates a fierce and uncomfortable attraction.
(conflict)
Secrets is an engaging contemporary romance of two needy people
searching, who discover that God is real. (resolution) Kristen
Heitzmann, Secrets. (Adapted from an
amazon.com description of the book.)
In Breach of Promise Matt Gillen is a sometime actor in
Hollywood who thinks he's leading the idyllic life with his
beautiful actress wife and cute daughter. (setup) But when Paula
gets a role in a famous Italian director's new movie, she dumps
her husband for the director with wealth and power.
(conflict) Suddenly
Mark is in a nightmare custody battle that seems
hopeless. Breach of Promise is a reality driven story of
love, anger and hate. Through faith in God and devotion
to his child, Matt finds surprising strength and the
forgiveness to take his wife back and start again.
(resolution) (James
Scott Bell, adapted from amazon.com.)
My contemporary novel, Don't Hide the Moon is the story of
Beth Adair, a successful, but emotionally distant woman with a
strong faith in God until her grandson is killed in an accident
while in her care. (setup) She is weighed
with guilt. As the years pass, her faith slowly crumbles, and
she withdraws from the world. (conflict) Soon her only
companion is Mary; a mentally challenged woman the family had
taken pity on in their youth. As family secrets are come to
light through Mary, they bring Beth back to the world as well
as to God. (resolution) (Not a real
book)
Article Pitch
I'd like to propose an article for your magazine about
bicultural families. (audience) The number of
families where parents are of difference ethic groups has
doubled in the last twenty years. (supporting
stats) Parents face the challenge of
helping their children find their niche in mainstream America
and the church. I will offer tips on how they can help their
children embrace both cultures as they learn to define who they
are. (reader
benefits) My 1500 word article will
contain examples from bicultural families who are making it
work, and resources for both adoptive and biological parents.
(approach).
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