Writing Fiction
Tips to Making Your Fiction
Great
Short stories range from 1,500 to 30,000 words, novellas
from 30,000 to 50,000, and novels from 50,000 to 300,000 words.
Agents indicate it is easier to represent a first-time
novelist's book if the work count is between 80,000 and 100,000
words.
Your first few pages are key. Many editors and agents know
those pages will be a reflection of your entire novel and will
give them a lot about your fiction-writing techniques. The
book, The First Five Pages, makes this point. Others point out
your first paragraph has to get them to read to the second
paragraph, the first page to the second page, and so on. If
anything is boring, you'll lose your reader.
Avoid too many descriptive words, too much description, an
inappropriate point of view, the wrong voice and trendy
expressions. If this is puzzling, it may be wise to read a book
about writing fiction to understand these terms and how they
fit in fiction writing.
“I always start with a question, and the answer is the
novel. And I find that in 'the moment when everything changes,
for good or ill,' as someone once said, that's where I find the
story.” - bestselling novelist Jacquelyn Mitchard, The
Writer, September 2005
“Write compelling scenes that put the reader right in the
action. Good scenes should contain a setting, news or action,
conflict, setup, and outcome.” - Quinn Dalton, The
Writer, August 2005
When you feel the need to tell, versus show, remember these
tips:
- Tell if another dramatization would be repetitious
- Tell if the scene is minor
- Tell if a complete dramatization would slow the pace of
the story
“Suspense-uncertainty, doubt, anxiety-is an absolute
necessary ingredient in all fiction, not just so-called
'suspense novels'.” - William G. Tapply, The Writer,
August 2005
“The most common mistake we writers make, especially in
first draft, is to back into the tale and wait too many pages
to start the real story.” - Steve Dimeo, The Writer,
April 2005
Pique your readers' interest with questions worth
answering.
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Tips for Christian
Fiction
In Christian fiction, start with characters whose inner
conflict of their faith will drive the plot. Engage your
readers right from the start by making them care, creating
conflict, putting your character in danger, building in a
surprise, creating curiosity, or through dialogue.
“The faith element [in Christian fiction] is fundamental to
the story, but it must be woven through seamlessly as part of
who the characters are, their conflict and what drives the
plot.” - Debby Mayne, Writer's Digest, June 2005
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Telling the Story
“Get out of the way of the story and let it tell itself.
Good stories deliver on their promise of 'What next?'” -
Wallace Stegner
“Great storytelling is the key to success as a novelist.” -
Donald Maass, The Writer, August 2005
“I want to get lost in the story and, for me, that means I
need to be gripped from the start and pulled into the
character's lives immediately.” - Rebecca Germany, Senior
Editor of Romance and Women's Fiction, Barbour Publishing -
Writer's Digest, June 2005
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Characters and Dialogue
“Your objective [in describing characters] is to paint a
picture so definitive that the reader has to read the passage
only once to know that character.” -I.J. Schecter, Writer's
Digest, May 2005
Create believable characters. Allow actions to drive your
character's thoughts, desires, struggles, secrets, and
dialogue. Know your characters intimately. Give them traits
that make them come alive, give them a past, problems, goals,
likes and dislikes-everything that you have. Know your
characters inside and out so their story is told. Allow them to
create tension and conflict, move the story along, and make
your readers either love them-or hate them. Make them real,
interesting and vulnerable.
Learn the art of writing great dialogue. Make your
characters talk like real people.
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Creating a
Page-Turner
"Creating a page-turner is so important in this day (when
competition for your readers' attention is strong) that
cliff-hangers have to be premeditated, not simply edited in.
Whenever I write a book, I create an outline for the entire
book (determining the beginning, middle, and end) and then an
outline for each chapter (with a beginning, middle, and end). I
build up to the chapter's climax and then end the chapter at
the height of the climax.
Unlike some of the others who have written, I do resolve
the climax quickly in the next chapter so the readers don't
feel frustrated or misled˜but in the resolution I set up the
next climax so they're stuck reading just a little bit
more...
The most frequent comment I get from my readers, even
regarding my (nonfiction) memoir, is that they couldn't put the
book down. I feign surprise, but inside I'm remembering how
much work I put into making sure that's exactly what would
happen." Heather Gemmen Wilson
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Writing Good Endings
“Write at least two pages of potential ending material. From
this, you can glean the last few paragraphs that will be the
perfect ending for your work.” - James Scott Bell, Writer's
Digest, December 2005
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Fiction Writing Resources on the
Web
The Advanced Fiction Writing E-zine,
published by Randy Ingermanson
Randy Ingermanson's website on
writing, which includes his famous Snowflake method for
writing a novel.
American Christian Fiction Writers
FictionAddiction.net
The Market List
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